Few bands encapsulate the evolution of Progressive music quite like Soft Machine. From their pioneering Canterbury Scene origins to their seamless fusion of Jazz, Rock and Psychedelia, the band's journey has been one of continual reinvention. On a brisk March evening at the intimate yet lively New Cross Inn, a dedicated crowd gathered to witness the latest chapter in one of Prog’s most enduring institutions.

Opening with 'Maybe Never (Intro)' before launching into the classic 'Facelift', the quartet- John Etheridge (guitar), Theo Travis (saxophone, flute, keys), Fred Thelonious Baker (bass) and Asaf Sirkis (drums)- delivered a commanding performance. This year marks Etheridge’s 50th anniversary of playing in the band, a milestone that coincides with my own 50th birthday in January, making the night feel even more special. His playing remains as fluid and expressive as ever, effortlessly shifting between fiery, Jazz-infused runs and delicate, melodic phrasing. Whether weaving intricate lines around Travis’ soaring saxophone or locking into a groove with Baker’s masterful bass work, Etheridge commanded the stage with the assurance of a musician who continues to push his craft forward.

'Burden of Proof' and 'The Visitor at the Window/Seven Hours' showcased the band's ability to blend complexity with deep emotional resonance. 'Kings and Queens' and 'Out-Bloody-Rageous' served as nostalgic nods to their rich legacy, performed with a fresh energy that never felt like mere recreation. A rousing 'Joy of a Toy' was a welcome surprise, bringing a rare taste of the Kevin Ayers era and injecting a playful spirit into the set.

Drummer Asaf Sirkis delivered a thrilling solo on 'Middleburn', his dynamic control and rhythmic inventiveness leaving the audience in awe. The epic 'Tales of Taliesin/Hidden-Hazard' closed the main set in grand fashion, its shifting passages demonstrating the band’s deep musical synergy.

The encore, 'Waltz for Robert' and 'Grape Hound', paid fitting tribute to the band’s past while celebrating their continuing evolution. Adding to the night’s magic, bassist Fred Thelonious Baker was kind enough to join me and my fellow music fan, James Innes, for a post-gig pint. During our conversation, Baker intimated that he had been playing alongside John Etheridge for 45 years - a testament to the deep musical connection and history shared between these two veterans. A fitting end to an evening where Soft Machine once again proved that their journey is far from over.

Ivan De Mello